Artists

Ta-coumba T. Aiken, Identity: Lost and Found, 2018
Acrylic on Canvas
36 x 48 in.

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Allison Baker, Landscape (The Gate), 2022
Pastel on hand-cut Color-aid paper mounted in custom frame (purple)

28⅜ x 41 in.

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Kim Benson, Tileset, 2024

Oil and enamel on shellacked linen over panel. 18 x 24 x 1¾ in.

A still from Forks & Spoons showing a person below a windowsill, projected onto a wall. Two chairs are positioned in front of the projection.

Moyra Davey, Forks & Spoons, 2024

HD Video with sounds, 26:33 mins

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Tamar Ettun, The Demon of Growing Pains, 2023
Fabric, thread, handmade and readymade oil sticks, glazed and unglazed ceramic, glue, golden beads, on wood panel
36 x 24 in.

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Justine Di Fiore, Undergrowth, 2024

Oil on Canvas (Diptych). 30 x 53 1/2 in.

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David Goldes, One And The Other, 2023
Silver leaf, molding paste, black gesso
on paper
27 x 21⅝ in.
28⅛ x 23 in. (framed)

Mary Griffin, Sundown Bog, 2022

Paper ephemera and acrylic on canvas. 60 x 70 in.

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A sculpture with a base resembling gray rock formations topped with textured, white and blue elements, displayed on a white surface against a plain background.

Julia Haft-Candell, Swim: Slate, Blue, White, 2019

Ceramic. 10 x 11½ x 11¾ in.

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Nicole Havekost, Tether, 2023
Industrial felt, cotton thread, sewing hardware, paper, galvanized steel, PVC pipe, concrete, wood
123 x 180 x 60 in.

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A blue painting featuring the word 'CINEMA' in bold letters. Below the text, there's a black entrance framed by a brick wall.

Jay Heikes, Phantom of the Underground, 2023

Oil on stained canvas. 112 x 75 in.

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A black-and-white photo of a bouquet of artificial flowers, including bent wheat stalks cascading orchids, and anthurium lilies.

Pao Houa Her, Untitled (from the series My Mother’s Flowers), 2016

Archival pigment print, Edition of 3 + 1AP. 40 x 32 in.

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Alexa Horochowski, Wrack Line, 2024

Concrete, steel, lead, pewter, gypsum, tar, aluminium, iron, rope, rubber, wood, audio, single channel video installation projected directly over two exhibition walls, stereo audio track.

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Abstract painting with four human-like figures in various poses and colors, set against a predominantly yellow and orange background.

Maria Kozak, Daylight Savings, 2022

Oil and ink on canvas. 60 x 40 in.

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An artwork depicting individuals relaxing in a grassy meadow, created using various sands and soils.

Stephanie Lindquist, Lunch at the Swamp, 2024

Swamp, Dovalema, Well, Uncle Dauda’s farm, Baoma, Dɔmagbiami, wax crayon and solar print on linen. 30 x 45 in.

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Lee Noble, The Same Problem, 2021
Flashe, gouache, fabric dye, spray paint, collage on canvas
34 x 27 in.

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Ruben Nusz, After Morandi, 2019-2024

Distemper on linen. 8 x 10 in.

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Kristen Sanders, Low Tide, 2023
Acrylic on canvas
40 x 55 in.

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A colorful painting featuring abstract blobs and a landscape with a small red house.

Melba Price & Bruce Tapola, Untitled, 2023 

Acrylic on board. 6 x 6 in.

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Sarah Thibault, An unbelievable shrieking into the heart of the night, 2024
Oil on canvas, in artist's frame
60 x 48 in.

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JoAnn Verburg, After Giotto, 1983

Two gelatin silver prints, Diptych, Ed. of 5. 34⅝ x 241⁄8 in. ea.

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