Artists

Edgar Arceneaux, Skinning the Mirror (Summer 1), 2024. Acrylic paint, silver nitrate, glass on canvas. 80 x 120 in. Collection of the Walker Art Center.

Tamara Aupaumut. Reconstructed Home, 2023. Papier-mâché and wasp nest. 15 x 20 x 4 in.

A diptych of a whimsical environment with hills, and pools with organic shapes resembling sculptures.

Allison Baker. Landscape (The Gate), 2022. Pastel on hand-cut Color-aid paper mounted in custom frame. 28⅜ x 41 in.

Tamar Ettun. The Demon of Growing Pains, 2023. Fabric, thread, handmade and readymade oil sticks, glazed and unglazed ceramic, glue, golden beads, on wood panel. 36 x 24 in.

A diptych featuring two figures, with one slouched against the other. They are centered on a canvas painted with multiple colors and textures.

Justine Di Fiore. Undergrowth, 2024. Oil on Canvas (Diptych). 30 x 53 1/2 in.

Rema Ghuloum. Awakening, 2025. Oil and acryla-gouache on canvas. 48 x 54 in.

David Goldes. Earth Memory, 2024. Graphite, molding paste, black gesso on paper, in custom metal frame with museum glass. 27¾ x 22¾ in.

Mary Griffin. Sundown Bog, 2022. Acrylic and paper ephemera on canvas. 60 x 70 in.

A sculpture with a base resembling gray rock formations topped with textured, white and blue elements, displayed on a white surface against a plain background.

Julia Haft-Candell. Swim: Slate, Blue, White, 2019. Ceramic. 10 x 11½ x 11¾ in.

Ilana Harris-Babou. Test Tile 3 2024. Glazed ceramic, cement, aluminum frame. 16 x 8 in.

Nicole Havekost. Tether, 2023. Industrial felt, cotton thread, sewing hardware, paper, galvanized steel, PVC pipe, concrete, wood. 123 x 180 x 60 in.

Alexa Horochowski. Wrack Line, 2024. Concrete, steel, lead, pewter, gypsum, tar, aluminium, iron, rope, rubber, wood, audio, single channel video installation projected directly over two exhibition walls, stereo audio track. Dimensions variable.

Maria Kozak. The Unfolding, 2025. Oil and acrylic on wood. 71⅝ x 70⅞ x ¾ in.

An artwork depicting individuals relaxing in a grassy meadow, created using various sands and soils.

Stephanie Lindquist. Lunch at the Swamp, 2024. Swamp, Dovalema, Well, Uncle Dauda’s farm, Baoma, Dɔmagbiami, wax crayon and solar print on linen. 30 x 45 in.

SaraNoa Mark. Linger until your eyes can decipher sea from darkness, 2024. Cast glass. 11½ x 18½ x ¾ in.

A cropped image a spider overlayed  on top of a pair of eyes pasted onto a predominantly reddish purple canvas. A blue star with 8 points is on the top left part of the canvas.

Lee Noble. Kendra, 2024. Flashe, gouache, toner. 10 x 8 in.

Melba Price. Cooper's Ranch, 2025. Acrylic on panel. 9½ x 11⅜ in.

A paining of a purple jagged rock hovering over the ocean with a cloudy sky with a crescent moon that makes up most of the background.

Kristen Sanders. A Sense of Reality, 2023. Acrylic on canvas. 55 x 40 in.

Rotem Tamir. Jerayah (No. 2), 2024 [detail]. Hand-carved woodblock print on organic cotton twill; soda ash, Synthrapol, myrobalan, calcium hydroxide, gum arabic, aluminum acetate, kaolin clay, ferrous sulfate, pomegranate powder, indigo powder, rose madder; tufting twine, nylon thread, and locally sourced wool. 9 x 31 x 147 in.

Bruce Tapola. Campers, 2025. Oil on canvas, in artist's frame. 16 x 20 in.

Oakley Tapola. Love on a Plateau, 2025. Gouache and wax medium on epoxy clay, wire, metal leaf and polyurethane. 30 x 24 in.

An unbelievable shrieking into the heart of the night, 2024. Oil on canvas, in artist's frame. 60 x 48 in.

Michon Weeks. Backyard, 2025. Oil and acrylic on linen-covered panel. 14 x 18 in.