Artists

Ta-coumba T. Aiken. Identity: Lost and Found, 2018. Acrylic on Canvas. 36 x 48 in.

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A diptych of a whimsical environment with hills, and pools with organic shapes resembling sculptures.

Allison Baker. Landscape (The Gate), 2022. Pastel on hand-cut Color-aid paper mounted in custom frame. 28⅜ x 41 in.

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Kim Benson, Tileset, 2024. Oil and enamel on shellacked linen over panel. 18 x 24 x 1¾ in.

A still from Forks & Spoons showing a person below a windowsill, projected onto a wall. Two chairs are positioned in front of the projection.

Moyra Davey. Forks & Spoons, 2024. HD Video with sound, 26:33 mins.

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Tamar Ettun. The Demon of Growing Pains, 2023. Fabric, thread, handmade and readymade oil sticks, glazed and unglazed ceramic, glue, golden beads, on wood panel. 36 x 24 in.

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A diptych featuring two figures, with one slouched against the other. They are centered on a canvas painted with multiple colors and textures.

Justine Di Fiore. Undergrowth, 2024. Oil on Canvas (Diptych). 30 x 53 1/2 in.

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David Goldes. One And The Other, 2023. Silver leaf, molding paste, black gesso on paper. 27 x 21⅝ in.

Mary Griffin. Sundown Bog, 2022. Acrylic and paper ephemera on canvas. 60 x 70 in.

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A sculpture with a base resembling gray rock formations topped with textured, white and blue elements, displayed on a white surface against a plain background.

Julia Haft-Candell. Swim: Slate, Blue, White, 2019. Ceramic. 10 x 11½ x 11¾ in.

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Ilana Harris-Babou. Test Tile 1, 2024. Ceramic, cement, grout, glass tile, aluminum frame. 6 x 6 in.

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Nicole Havekost. Tether, 2023. Industrial felt, cotton thread, sewing hardware, paper, galvanized steel, PVC pipe, concrete, wood. 123 x 180 x 60 in.

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A blue painting featuring the word 'CINEMA' in bold letters. Below the text, there's a black entrance framed by a brick wall.

Jay Heikes. Phantom of the Underground, 2023. Oil on stained canvas. 112 x 75 in.

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A black-and-white photo of a bouquet of artificial flowers, including bent wheat stalks cascading orchids, and anthurium lilies.

Pao Houa Her. Untitled (from the series My Mother’s Flowers), 2016. Archival pigment print. 40 x 32 in.

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Alexa Horochowski. Wrack Line, 2024. Concrete, steel, lead, pewter, gypsum, tar, aluminium, iron, rope, rubber, wood, audio, single channel video installation projected directly over two exhibition walls, stereo audio track. Dimensions variable.

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Abstract painting with four human-like figures in various poses and colors, set against a predominantly yellow and orange background.

Maria Kozak. Daylight Savings, 2022. Oil and ink on canvas. 60 x 40 in.

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An artwork depicting individuals relaxing in a grassy meadow, created using various sands and soils.

Stephanie Lindquist. Lunch at the Swamp, 2024. Swamp, Dovalema, Well, Uncle Dauda’s farm, Baoma, Dɔmagbiami, wax crayon and solar print on linen. 30 x 45 in.

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A cropped image a spider overlayed on top of a pair of eyes pasted onto a predominantly reddish purple canvas. A blue star with 8 points is on the top left part of the canvas.

Lee Noble. Kendra, 2024. Flashe, gouache, toner. 10 x 8 in.

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A grey-green-yellow still life of vases and cups in a style reminiscent of Giorgio Morandi.

Ruben Nusz. After Morandi, 2019-2024. Distemper on linen. 8 x 10 in.

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A paining of a purple jagged rock hovering over the ocean with a cloudy sky with a crescent moon that makes up most of the background.

Kristen Sanders. A Sense of Reality, 2023. Acrylic on canvas. 55 x 40 in.

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A colorful painting featuring abstract blobs and a landscape with a small red house.

Melba Price & Bruce Tapola. Untitled, 2023 . Acrylic on board. 6 x 6 in.

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Sarah Thibault. An unbelievable shrieking into the heart of the night, 2024. Oil on canvas, in artist's frame. 60 x 48 in.

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Side by side photographs of a man and woman submerged in water. The left photograph is of the man looking to the left while in the right photograph, the woman in a black dress is floating looking to the left.

JoAnn Verburg. After Giotto, 1983. Two gelatin silver prints, Diptych, Ed. of 5. 34⅝ x 241⁄8 in. ea.

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