Artists

Alexa Horochowski

b. 1965, Missouri

Alexa Horochowski, Wrack Line, 2024

Concrete, steel, lead, pewter, gypsum, tar, aluminium, iron, rope, rubber, wood, audio, single channel video installation projected directly over two exhibition walls, stereo audio track.

La Sirena, 2024
Concrete, gypsum, limestone, steel
9 x 14. x 10 in.

The Mason, 2024
Concrete, gypsum, limestone, steel
17 x 9. x 11. in.

Nautilus, 2024
Concrete, gypsum, limestone, steel
10. x 11 x 5. in.

Striped Fox Conch, 2024
Concrete, pewter, steel
13. x 8 x 5 in.

Syrinx Aruanus, 2024
Concrete, salt (Edition 1/3)
6 x 16 x 8 in.

Derelict, 2013/2024
Bronze
23 x 32 x 6 in.

El País De Nomeacuerdo (The Land of Idon’t-remember), 2022
Steel, aluminium, linen, felt
84 x 33 x 6 in.

Naturaleza Muerta Con Una Liebre (Still Life With A Hare), 2023
Gold-plated bronze, bronze, pewter, lead, wood, formica
17. x 60 x 40 in.

Alexa Horochowski, Wrack Line, 2024

Concrete, steel, lead, pewter, gypsum, tar, aluminium, iron, rope, rubber, wood, audio, single channel video installation projected directly over two exhibition walls, stereo audio track.

La Sirena, 2024
Concrete, gypsum, limestone, steel
9 x 14. x 10 in.

The Mason, 2024
Concrete, gypsum, limestone, steel
17 x 9. x 11. in.

Nautilus, 2024
Concrete, gypsum, limestone, steel
10. x 11 x 5. in.

Striped Fox Conch, 2024
Concrete, pewter, steel
13. x 8 x 5 in.

Syrinx Aruanus, 2024
Concrete, salt (Edition 1/3)
6 x 16 x 8 in.

Derelict, 2013/2024
Bronze
23 x 32 x 6 in.

El País De Nomeacuerdo (The Land of Idon’t-remember), 2022
Steel, aluminium, linen, felt
84 x 33 x 6 in.

Naturaleza Muerta Con Una Liebre (Still Life With A Hare), 2023
Gold-plated bronze, bronze, pewter, lead, wood, formica
17. x 60 x 40 in.

Emphasizing the entangled relations between humans and nonhuman others, Alexa Horochowski’s sculptures and installations draw formal and material inspiration from the natural world. Engaged with ideas surrounding ‘more-than-human’ geographies and the concept of the Chthulucene, the artist’s multidisciplinary practice explores how political upheaval and man-made climate change reshape the temporal construction of memory and meaning. While Horochowski resides in Minneapolis, her identity and practice are closely tied to the landscape of the Patagonia of Argentina, where she was raised.

Based in Minneapolis, Horochowski is a dual Argentine and American citizen. She holds an MFA from the University of Michigan, and a BA in Creative Writing and Journalism from the University of Missouri. Recent solo and group exhibitions include the Walker Art Center’s “Five Ways In: Themes from the Collection” (2020-present); the Rochester Art Center, “Beautiful Sky” (2019); Highpoint Center for Printmaking, “Vortex Drawings” (2017); and The Soap Factory, “Club Disminucion” (2014). Horochowski’s work is held in the permanent collections of The Walker Art Center and The Minneapolis Institute of Art, among other institutions.

Exhibitions

Pas De Deux

Group Exhibition
Test

Under the Sea-Wind

Solo Exhibition

Groundwork

Solo Exhibition

In Search of Lost Time

Solo Exhibition

Press

Critic's Pick by Andy Graydon

  Artforum 7/25/2024

Reliquarium: On Alexa Horochowski’s Under the Sea-Wind by Elisabeth Workman

  Mn Artists 2/15/2024

Opening Reception

Pas De Deux

6/26, 7–9PM

Exhibition Opening

Under the Sea-Wind

1/12, 6–8PM

Screening + Conversation

La Maravilla | Alexa Horochowski + Christina Schmid

8/10/2023, 5:30PM