Exhibitions

Groundworkby Sydney Acosta, Teresa Baker, Moira Bateman, Liz Ensz, Hannah Lee Hall, Alexa Horochowski, Kahlil Robert Irving, Seitu Jones, Stephanie Lindquist, Gudrun Lock, SaraNoa Mark, Ana Mendieta, Alva Mooses, Ryan Gerald Nelson, Nikki Praus, Ian Tweedy, Mathew Zefeldt

Jun 22 – Aug 5, 2023

Hannah Lee Hall

Equinox, 2023

Paper pulp, aquarium gravel, sand, air fire clay, string, beads, resin and procion dye on board

20 x 24 in.

Stephanie Lindquist

Tasting Tart Cherries, 2021

Frogtown, 7.5 YR Bk horizon from Silver Lake N St Paul N Metro, Glaciolacustrine sediment (Lake Agussiz) NW MN C horizon clay, Peat NW MN, Quartz clean outwash sands Rushford MN, White decor sand, acrylic, and cyanotype on canvas

40 x 48 in.

Mathew Zefeldt

Rocks on Rock Texture, 2022

Acrylic on canvas over panel

48 x 36 in.

Ian Tweedy

Burner 3, 2022

Oil paint on found photograph

Khalil Robert Irving

Concrete Nodes and Moon Chunks | Street stars and fragments (Mixed Vessel), 2022

Glazed and unglazed ceramic, gold, opalescent, silver luster, colored enamel, wood

Alva Mooses

ear to the earth / culebra, truena, tormenta, 2022

Ceramic

Scroll

Hannah Lee Hall

Equinox, 2023

Paper pulp, aquarium gravel, sand, air fire clay, string, beads, resin and procion dye on board

20 x 24 in.

Stephanie Lindquist

Tasting Tart Cherries, 2021

Frogtown, 7.5 YR Bk horizon from Silver Lake N St Paul N Metro, Glaciolacustrine sediment (Lake Agussiz) NW MN C horizon clay, Peat NW MN, Quartz clean outwash sands Rushford MN, White decor sand, acrylic, and cyanotype on canvas

40 x 48 in.

Mathew Zefeldt

Rocks on Rock Texture, 2022

Acrylic on canvas over panel

48 x 36 in.

Ian Tweedy

Burner 3, 2022

Oil paint on found photograph

Khalil Robert Irving

Concrete Nodes and Moon Chunks | Street stars and fragments (Mixed Vessel), 2022

Glazed and unglazed ceramic, gold, opalescent, silver luster, colored enamel, wood

Alva Mooses

ear to the earth / culebra, truena, tormenta, 2022

Ceramic

Dreamsong is pleased to present Groundwork, a group exhibition taking terra firma as both subject and medium. A wellspring of enlivening nutrients, a signifier of territory and identity and a site of conflict over indigenous rights and environmental protection, soil offers a rich prism through which the present may be both imagined and imaged. From a material standpoint, earth immediately invokes the monumental Land Art tradition of the 1960s and 1970s. Unlike Robert Smithson or Michael Heizer, however, the artists in Groundwork eschew the romanticized grandeur of ‘empty’ Western spaces in favor of considered excavations of locally embedded and lived histories. Adopting anticolonial, queer, feminist, environmentalist, and other critical lenses, they seek communion with the specificities and spiritual meanings of place, burrow into the legacies and experiences of their ancestors, and express concerns about our collective future. Their poetic interventions into land center diasporic experiences, treat the ground as a repository of ancestral time and memory, and lament the historically entwined damage wrought by colonialism and resource extraction. More attuned with the groundbreaking work of Ana Mendieta, whose film Untitled: Silueta Series (Gunpowder Works) (1980) is included in the exhibition, earth is treated in Groundwork as an invaluable storehouse of oft overlooked heritages.

Artist(s)

Sydney Acosta, Teresa Baker, Moira Bateman, Liz Ensz, Hannah Lee Hall, Alexa Horochowski, Kahlil Robert Irving, Seitu Jones, Stephanie Lindquist, Gudrun Lock, SaraNoa Mark, Ana Mendieta, Alva Mooses, Ryan Gerald Nelson, Nikki Praus, Ian Tweedy, Mathew Zefeldt

Opening Reception

Groundwork

6/22/2023, 6–8PM